Showing 226 items matching head dress
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Whitehorse Historical Society Inc.
Headwear - Head dress
... Head dress...Head dress worn to hold bridal veil....Head dress Headwear Cream satin from wedding twisted ...Head dress worn to hold bridal veil.Cream satin from wedding twisted and held on to head band. Overlaid with artificial orange blossom. See deaccessed( dress NA3530 and veil NA3534). See also shoes NA3638.1-2 shoes, NA3643 garter, shoe 3645,horseshoes NA3640 and 3637.costume, female ceremonial -
Rye RSL Sub Branch
Cork helmet wolesley, Embelton & Co. Melbourne Australia, Twentieth Century
... head dress...This type of head dress was very commonly worn by British... F/Lt C KERR GRANT This type of head dress was very commonly ...This type of head dress was very commonly worn by British Commonwealth Forces in the Sub Continent and other tropical areas. This particular example would have been a common sight in Northern Australia during the time frame, as well as Africa, Middle East and the Pacific. It is a light weight ventilated helmet offering good air circulation via the vent in the top of the crown, and shade to the back of the neck. As well as protection by the peaked front for the eyes reducing glare, preventing sun and heat stroke. It also created an image of gentlemanly dress and pride in appearance. It conformed to an ideal and was considered quite fashionable and a little dashing, often worn at a jaunty angle, creating a rakish air, far from today's simplistic view of pure functionality and at as low as possible cost. Whether worn with a tropical uniform with jacket and trousers, or open necked shirt and shorts, the wearer was easily identifiable as British or one of the Commonwealth countries.WW2 RAAF Wolsley cork helmet. Helmet Khaki cotton six (6) panel outer, with three (3) fold pugaree. Colour patch on left side approximately 6cm X 5.5cm, Dark blue,2.5cm, Light blue, 0.5cm and Maroon 2.5cm. Tan leather trim around brim, tan leather chin strap. Traditional pith helmet four (4) hole domed type vent on top of crown. Beige leather sweat band pierced around the top and with a cotton cord adjustment threaded around. Fixed to shell in four points diagonally. Interior is also covered in Khaki cotton. Hand written in brown ink. A1917 F/Lt C KERR GRANTworld war two, head dress, helmet, pith, cork, cloth covered, leather trimmed, royal australian air force, officer, flight lieutenant, khaki, pith helmet, air force, tropical, hat -
Ringwood RSL Sub-Branch
Uniform
... Nurses head dress... melbourne Uniform Nurses head dress ...Nurses head dress -
Kiewa Valley Historical Society
Hat Child's Felt, Circa mid 1900's
... social head dress... head dress church hats unknown ladies Milliner ...This brown wool felt hat with a broad brim was, by its style, used by a adolescent child for church services. This was worn in a period where church services on Sunday was an important weekly ritual by the whole family. Special (church only) dresses and hats were worn not only to show respect to the church but also part of expected community mores relating to religious beliefs. This behavioural pattern was more entrench in the rural communities than within larger cities. The closeness of smaller rural communities is the main factor regarding social norms. The visible standing within the community was uppermost. The period pre 2000 was a more coheasive family environment ( due to greater intra family activities) which provided better communication and family activities.This "church styled" hat is very significant to the rural lifestyle and its mores. It clearly demonstrates the coheasive force that religion has on the Valley population. The closeness that the semi isolation (at this time) brought about by the Valley's physical land formation and the poor roads within the valley brought families closer together. Not turning up for important social functionsw was duely noted by all (and frowned upon). Mrs E. Fisher lived at Mongan's Bridge in the Kiewa Valley.Brown child's all felt hat size 6 1/4. A broad brim with a lighter brown velvet ribbon head band. Head band has a crossover to the left front with 100 mm extension flowing over the brim. The top of the inside of the head pocket is lined with a soft silk fabric.6 and one quarter (size tag). Unreadable crest / monogramchildren's head wear, social head dress, church hats -
Uniting Church Archives - Synod of Victoria
Photograph, Charles Harris, 07/1988
... Head & shoulders, dressed casually.... Street Malvern East melbourne Photograph Charles Harris Head ..."School at Hall's Gap studies holistic Aboriginal theology" - article by Tim Angus - "Participants at a school of Aboriginal Theology were challenged to take up a new partnership in mission by the Rev. Charles Harris, president of the Uniting Aboriginal and Islander Christian Congress… Charles Harris gave a quiet and determined witness to the power of the Gospel to free his people to become agents of their own destiny in spiritual, cultural and political terms."Head & shoulders, dressed casually."Rev. Charles Harris"harris, charles, aboriginal and islander christian congress -
Bendigo Military Museum
Postcard, c.1916
... soldier has no head dress, name Sandy. ALEXANDER NORMAN CUMMIN.... standing. Australian soldier has no head dress, name Sandy ...Alexander Norman Cummin (Sandy) No 18 enlisted in the AIF in the 38th Batt HQ on 22.2.1916 age 19 years 4 months. Embark for England 20.6.1916, embark for France 22.11.1916, WIA 11.8.1918 Shell wounds (unclear), rejoin unit 23.9.1918, hospital while on leave 1.12.1918 with Bronchitis, return too Australia 24.12.1918 with Influenza, discharged from the AIF 21.3.1919 medically unfit.Portrait black & white of soldier standing. Australian soldier has no head dress, name Sandy. ALEXANDER NORMAN CUMMIN.On photo itself is a small number 4072. The bottom RHS has T L FULLER AMESBURY. The rear: Larkhill Camp Amesbury Salisbury Plain England. To Mr Harvey with love and best wishes Sandy 29.8.16. Sailed June 20/16documents - postcards, photography-photographs, military history - army -
National Wool Museum
Textile - Dress, Wendy Waugh, 1996
... Wedding dress, made from wool top slivers. Halter neck.... Also includes head dress and bouquet. Wedding dress originally ...Wedding dress originally made for Farmvision '96 from wool slivers produced by Geelong Wool Combing Ltd. Designed and made by Ann Wisby and Wendy Waugh of Gordon TAFE with the assistance of their students from Creative Studies Department. This dress has been modelled, professionally photographed and displayed at Farmvision '96 and National Wool Week '96 and '97. The dress was then given back to GWC and then donated to the Wool Museum.Wedding dress, made from wool top slivers. Halter neck, embroidered and appliqued bodice, long skirt. Also includes head dress and bouquet.fashion, geelong wool combing ltd, wool tops, waugh, ms wendy - gordon institute of tafe wisby, ms ann - gordon institute of tafe -
Bendigo Military Museum
Headwear - ARAB KEFFIYEH
... Arab Keffiyeh Head dress for males. .1) White knitted skull... goldfields ARAB KEFFIYEH Headwear Arab Keffiyeh Head dress for males ...Souvenir item belonging to Mathew Red woodArab Keffiyeh Head dress for males. .1) White knitted skull cap. .2) Black cord. .3) Black and white cloth yash math scarf.headwear, iraqi, arab -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
... in 6 tiers. Variety of head dress and badges indicate the group... of soldiers posed in 6 tiers. Variety of head dress and badges ...Recruit training was often carried out on a Brigade basis with recruits and instructors from units.Black and white photograph of large group of soldiers posed in 6 tiers. Variety of head dress and badges indicate the group is a recruit course. Some 8/13 Victorian Mounted Rifles members are included. -
Ballarat Diocesan Historical Commission
Mitre, Bishop's Mitre
... A mitre is the traditional, ceremonial head-dress..., ceremonial head-dress of bishops. This early 20th century example ...A mitre is the traditional, ceremonial head-dress of bishops. This early 20th century example is of a low cut style in its original case. It is decorated in a baroque style with arabesques and paste and is believed to have belonged to Ballarat's second bishop James Moore.bishop moore, ballarat, mitre, gold embroidery, stones, paste. -
Port Melbourne Historical & Preservation Society
Photograph - Woman in 'Australian' fancy dress related to a Swallow and Ariell Busy Bee event, 1914 - 1920
... and wearing a head dress of an Australian map with "Busy Bee's... and wearing a head dress of an Australian map with "Busy Bee's ...Probably from a "Busy Bee" novelty night like those held on 11 June 1915 (http://nla.gov.au/nla.news-article91164843) and 30 June 1916 (http://nla.gov.au/nla.news-article91165168).One of 44 black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .39 - Woman in fancy dress based on an Australian flag and wearing a head dress of an Australian map with "Busy Bee's" and a bee hive emblazoned.built environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross -
Orbost & District Historical Society
booklet, Hiawatha, 1949
... and the head of an American Indian chief in head-dress on the cover... with brown print and the head of an American Indian chief in head ...This is a souvenir program made for the musical event, Hiawatha, presented by Orbost Rotary Club on November 28,29 1949. Miss Elsie Lambert was a teacher at Orbost State School for 25 year.This is representative of the entertainment popular in Orbost in the 1940's-1950's.Two small 12 pp cream coloured books with brown print and the head of an American Indian chief in head-dress on the cover. It is titled"Hiawatha" prod. and directed by F.C. Herbert. a musical event presented in Orbost 1949, performed and sponsored by the Orbost Rotary Club. This was a souvenir program.On the back cover 657.1 in ink - E. Lambert.souvenir-program hiawatha musical orbost-rotary -
Stawell Historical Society Inc
Photograph, Eden Studios, Mr William John Giles & Mrs Emma Giles nee Unknown -- Wedding Photo
... flowers as head dress, wearing glasses. Her right arm is resting... flowers as head dress, wearing glasses. Her right arm is resting ...Studio print William Giles in three piece suit sitting on chair with legs crossed and holding gloves. His wife Emma in white wedding dress, white gloves, white shoes and veil has flowers as head dress, wearing glasses. Her right arm is resting on the chair holding her bouquet. Emma is buried at Glenorchy.15998 Giles/18 Eden Photo Studios Melbourne.wedding, clothing -
8th/13th Victorian Mounted Rifles Regimental Collection
Headwear - Emu plume
... with plumes was reintroduced as the official head dress of the Roya..., the slouch hat with plumes was reintroduced as the official head ...A plume of emu feathers was worn in the puggaree of the slouch hat by Australian Light Horse. The tradition was continued by Australian armoured regiments wearing a smaller tuft of emu plumes behind the hat badge on the black beret. In 1992, the slouch hat with plumes was reintroduced as the official head dress of the Roya Australian Armoured corps although the black beret continues to be worn as work dress.A bunch of emu feathers attached to a piece of tanned skin.emu, light horse, plume -
Brighton Historical Society
Headwear - Hat, Headdress, Late 1800s
... A lace head dress belonging to the women of the family... was made. A lace head dress belonging to the women of the family ...A lace head dress belonging to the women of the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream lace cap from late 1800s. A silk satin ribbon that encircles the back of the crown of the head, creates the structure of this cap. Towards the front it also has a net and wire-reinforced peak. Over the top of this support is a central diamond shaped lace piece of seven and a half centimeters diameter to which is attached a fine lace net that is gathered and stitched around the edge of the central lace. Two decorative bows of the same silk satin fabric are positioned on the support over the top of the lace at either temple of the wearer. "W-COLE" hand stitched on inside of band. It is unknown when and by whom this inscription was made.st ninians, george ward cole, headwear, late 1800s, brighton, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole -
Kiewa Valley Historical Society
Tin Coffee and Chicory, circa mid to late 1900's
... (pickers) with turban head dress. On one side of the tin... workers(pickers) with turban head dress. On one side of the tin ...Chicory was mixed with coffee to reduce the amount of coffee bean required to be used. This coffee "substitute" was due to the repeated fluctuations in availability of coffee beans (and price fluctuations) in the USA in the late 1800s and early 1900s resulting in the search for substitutes and additives to bulk out the available supplies. This was especially so during times of the major World Wars. Chicory was an excellent choice of fillers as it did not greatly influence the strong coffee bean taste. The first choice in USA households was coffee not tea and the influence of the American servicemen's thirst for coffee was a major thrust into the Australian "colonial" preference for a "cuppa" tea. Rural areas took longer to acquire a coffee "break" but with more and more subliminal advertising through "American" films the rural regions developed a growing preference for coffee, however the tea break alias "smoko" has lingered on.This coffee and chicory blend tin container is very significant to the Kiewa Valley in that it demonstrates that even in rural regions of Australia tastes and drinking preferences have changed by subliminal advertising as time goes by. The American "influence" whether by the "invasion" of friendly troops during the major wars or the avalanche of "American films" has altered some of the "dinky-di" Australian "true blue" tastes and mores. The availability of "straight " coffee supplies to rural areas was also in proportion to the level of all weather transport routes. In the late 1800's and early 1900's road freight had to contend with dirt roads, flooded roads, bush fires and grazing cattle/sheep in rural areas. The easier access that city households had with regard to replenishment of food and drink products, up until the mid 1900's, was severely retarded in rural areas. This extensively rusted tin of "Bushells Blue Label" Coffee and Chicory has an octagonal shaped body with a "push/pull" lid(tin).Three sides has reproduced painted ladies in "Roman dress" ladies picking the coffee beans. There is no reproduction of any chicory roots. There are two "Indian dressed" field workers(pickers) with turban head dress. On one side of the tin is "directions of use, net weight and manufacturer details."Bushells Coffee & Chicory", "NET 1-Ib. weight", " No. 144" "Under the Pure Food Act N.S.W. 1938" "by Bushells Ltd. No 144"chicory / coffee drinks, tin hydrated drink, rural food and drink consumption patterns, tinned food and drink -
Wycheproof & District Historical Society Inc.
Sepia Photograph, Mendelnohy/Melb, Shelia Whelan Thomas Coughlan, 3/9/1947
... with a dainty locket. An embroidered full lengh veil and ruched head... and ruched head-dress with orange-blossom is complimented by a floral ...Elaine Donnellon, the donor of the photograph is the daughter of Shelia's sister Matilda. Thomas Coughlan and Shelia Whelan were married 03-09-1947. Not highly significant but typical of a mid 20th century portrait taken in a photographer's studio. The style of the wedding finery is representitive of the fashion of the period.Studio Portrait on original mount. Thomas Coughlan bridegroom, dark double-breasted suit,orange-blossom buttonhole. Shelia Whelan bride, embossed satin bridal gown with train and leg-o-mutton sleeves,a lace insert at the neckline, finished with a dainty locket. An embroidered full lengh veil and ruched head-dress with orange-blossom is complimented by a floral trailer-bouquet and horseshoes. Portrait backdrop, curtain and chair. Bottom right-hand corner, hand written, "Mendilnohy/Melb."studio portrait, 1947, thomas coughlan, shelia whelan, orange blossom, embossed satin, wedding gown, double breasted suit, veil, trailer, bouquet -
Uniting Church Archives - Synod of Victoria
Photograph, Late 19th, early 20th century - undated
... cropped close to head, wearing dress with shoulder overlay lace... Street Malvern East melbourne Photograph Head and shoulders ...Head and shoulders, sepia, woman of middle age, short hair cropped close to head, wearing dress with shoulder overlay lace. Photo stuck on brown backing card with photographic studio's name."Mrs Breseford" scrawled on back, although the spelling of the name is not clear.breseford, eden society studios -
Warrnambool and District Historical Society Inc.
Child's Toy, Doll's clothes
... Remnants of the [VC02599] wax head doll's dress. The dress... Toy Doll's clothes Remnants of the [VC02599] wax head doll's ...This doll, from which this dress was removed, belonged to member Allan Blain's sister. It was donated to WDHS and then recently returned after an extended loan.This doll's dress is significant as it shows the style of dress of the c1860s as worn by both dolls and young girls and the fabrics available at that time. It would be a party dress.Remnants of the [VC02599] wax head doll's dress. The dress is made of pink gauze with coffee coloured lace trim and coffee and pink ribbons. The skirt is relatively intact; the bodice has fragments of the neckline and sleeves.dolls, doll's clothing, toys, blain -
City of Greater Geelong
Photo Print of Oil Painting, Portrait of Prince Edward with message from on board HMS Renown, Sydney 15.8.1920
... Side-on view of man's head and shoulders. Man dressed... of man's head and shoulders. Man dressed in military uniform ...Side-on view of man's head and shoulders. Man dressed in military uniform with cap.prince edward, hms renown -
Bendigo Military Museum
Photograph - GROUP PHOTOGRAPH, FRAMED, 1912 - 1914
... stand. Black and white portrait of irregularly dressed soldier.... They are both seated and standing. Various head dress. Their rifles ...This item is in a collection of 11 items donated by Stan Hutson. The majority relate to Frederick Arthur William Hutson No 3539 57th Bn AIF. Refer Cat No 922 for his service history. As this photo relates to pre WW1 taken at the Bendigo Race Course it will relate to Fredericks brother, Herbert Spencer Hutson No 3540 57th Bn. Herbert had pre war service in the 67th Militia Bn in Bendigo. Herb enlisted also in the 8th Reo’s 21st Bn and also transferred to the 57th Bn same day as his brother. Pre World War I Militia Unit. Taken at Bendigo Race Course stand. Black and white portrait of irregularly dressed soldier and one white dog. They are both seated and standing. Various head dress. Their rifles are Martini - Henry single shot. There appears to be a Chaplain in the group. Group size approx. 100 soldiers. In the grand stand behind them are various pieces of kit. They are probably Bendigo's 67 Infantry in front of the Bendigo Race Course stand. The frame is varnished timber circa 1912 - 1914.“W.R.Robinson photo Bendigo” The original ticket on the front is wrong as to place of photo taken.photography-photographs/frame accessories, military-army -
Nhill & District Historical Society Inc.
Clothing - 1980 of Wedding dress of Debbie Jarred, Cassandra Gowns, 8 March 1980
... , finishing with a head-dress decorated in daisies attached to a long..., finishing with a head-dress decorated in daisies attached to a long ...Debra Jarred only daughter of Rex and Joan Jarred, of Broughton, married John Barber second son of Basil and Val Barber of Nhill, on 8 March 1980, at the Uniting Church, Broughton.Nhill family wedding; representing style of wedding dresses in 1980Wedding dress made by Cassandra Gowns; shoe string strap daisy lace bodice, with stand up collar of daisy lace and pleated skirt, elegantly covered with a cuffed long sleeve blouse, over skirt & belt of chiffon, flowing graceful soft train, finishing with a head-dress decorated in daisies attached to a long fine silk net veil.(2007.01.1) - Bouquet of white silk roses & ribbon(2007.01.2); white high heal lattice toe shoes with delicate ankle strap (2007.01.3), Blue lace garter & assorted crocheted bells, horse-shoe, and slippers, of satin ribbon (2007.01.4)daisy lace trim on cuffs and necklinewedding dress, 1980, broughton, debra jarred, debbie jarred, john barber, uniting church, rex & joan jarred, basil & val barber], nhill -
8th/13th Victorian Mounted Rifles Regimental Collection
Headwear - Slouch hat Robertson
... is the formal Australian Army head dress. ... is the formal Australian Army head dress. military hat plumes VMR ...This slouch hat was worn at the 75th Anniversary of Beersheba parade at the Australian War Memorial, 31 October 1992. VMR Squadron 4th/19th Prince of Wales’s Light Horse provided the Honour Guard under the command of Captain Kelvin Robertson. It was the first occasion on which slouch hats and plumes were worn by the regiment. In 1992, all Corps in the Australian Army were ordered to wear slouch hats. This was a reaction to the high incidence of skin cancer in soldiers. Berets were thought to offer inadequate sun protection. Slouch hats were not practical in AFVs. Not all crewmen had access to helmets, so berets continued to be worn in vehicles. Slouch hats were worn for parade ground and general barracks work. RAAC acknowledged its Light Horse ancestry by wearing the emu plumes. Life continued in this way till 2010 when the wearing of berets was banned. Special Forces were exempt because it was argued they had a special relationship with the beret. Armoured Corps was outraged. Their relationship with the ‘black hat’ went back nearly a century. Submissions and argument ensued until the current workable arrangement was reached where a CO can authorize the wearing of berets but recognising that the slouch hat is the formal Australian Army head dress. Slouch hat with emu plumes and silver Victorian Mounted Rifles badge over and red backing on turned up side.military, hat, plumes, vmr, robertson -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Specifications, Army Insignia, Badges and Buttons, 1951 - 1980
... Specifications include: VOLUME 1 Badges, head dress & collar, AMF... Badges, head dress & collar, AMF Insignia, shoulder, title ...Set of manufacturing specifications for Australian Army insignia, badges and buttons - on foolscap in two lever arch files Specifications include: VOLUME 1 Badges, head dress & collar, AMF Insignia, shoulder, title, AUSTRALIA Insignia, metal, AUSTRALIAN ARMY Button, insignia, AMF Badge, metal, qualification, skill-at-arms Medallion & lapel badge, ANZAC commemorative Badge, lapel, metal, Army Reserve Lapel badge, Returned from Active Service Insignia, metal, Royal Cipher, Queen Elizabeth II Badge, metal, retired officers Button, insignia, general officer Link, button Insignia, metal, rank, womens, Warrant Officer & NCO tropical Insignia, metal, rank, officer, sword & baton crossed (1975) Insignia, metal, rank, officer, sword & baton crossed (1969) Insignia, metal, rank, officers, crown Insignia, metal, rank, NCO, crown Insignia, metal, rank, Warrant Officer, crown Palm leaf device for Vietnamese Cross of Gallantry Medal, service, Vietnamese campaign Button, insignia, Corps of Staff Cadets Insignia, metal, RAAC, beret/collar Insignia, metal, 1 AR, beret/collar Insignia, metal, 1/15 RNSWL, beret/collar Insignia, metal, 2 Cav, beret/collar Insignia, metal, 2/14 QMI Insignia, metal, 3 Cav, beret/collar Insignia, metal, 3/9 SAMR Insignia, metal, 4 Cav, beret/collar 4/19 PWLH Regt badge, head dress or collar Insignia, metal, 4/19 PWLH 8/13 VMR badges, head dress or collar Insignia, 10 LH, collar, silver plated 12/16 HRL, badges, head dress or collar Insignia, metal, RAA, officers, cap/hat, collar Insignia, metal, RAA, other ranks Button, insignia, RAA Button, insignia, RAE Insignia, metal, RAE cap/hat collar Button, Insignia, Royal Aust Survey Corps Insignia, metal, Royal Aust Survey Corps Insignia, metal, Royal Aust Corps of Signals, cap/collar Button, insignia, Royal Aust Corps of Signals Button, insignia, R Aust Inf Insignia, metal, R Aust Inf, cap/hat, collar Insignia, metal, Commando Insignia, metal, RSAR, cap/hat collar Insignia, metal, RAR, cap/hat collar Insignia, metal, RNSWR Insignia, metal, RVR, cap/hat Insignia, metal, RQR ,cap/hat collar Insignia, metal, RWAR, cap/hat collar Badge, qualification, Infantry Combat Button, insignia, Chaplains, Christian Insignia, metal, Chaplains, Christian, cap/hat collar Insignia, metal, RACT Button, insignia RACT Button, insignia, RAAMC Insignia, metal, RAAMC, cap/hat collarl, Insignia, metal, RAADC, cap/hat collar Button, insignia, RAAOC Insignia, metal, RAAOC' VOLUME 2 Button, insignia, RAEME RAEME, badges, collar Insignia, metal, R Aust Army Educational Corps, cap/hat collar Button, insignia, AACC Insignia, metal, AACC, cap/hat collar Button insignia, R Aust Army Pay Corps Insignia, metal, R Aust Army Pay Corps, cap/hat collar Insignia, metal, Aust Army Legal Corps, cap/hat collar Insignia, metal, R Aust Army Provost Corps, cap/hat collar Button, insignia, R Aust Corps of MP Button, insignia, Aust Army Psych Corps Insignia, metal, Aust Army Psych Corps Button, insignia, Aust Army Nursing Corps Insignia, metal, R Aust Army Nursing Corps Button, insignia, WRAAC Insignia, metal, rank, mess undress, brooch type, RAAMC Insignia, metal, WRAAC Insignia, shoulder, Apprentice Insignia, metal, Army Apprentices School Button, insignia, OCS Button, insignia, OCS ,blazer Insignia, metal, OCS, cap/hat collar Button, insignia, RMC, blazer Insignia, metal, RMC Medallion, RMC Insignia, metal, AUR, cap/hat collar Button, insignia, MonUR Insignia, metal, MUR, cap/hat collar Button, insignia, MonUR Insignia, metal, MonUR, cap/hat collar Insignia, metal, UNSWR , cap/hat collar Insignia, metal, SUR, cap/hat collar Button, insignia, SUR Insignia, metal, QUR, cap/hat collar Button, insignia, QUR Insignia, metal, WAUR, cap/hat collar Button, insignia, WAUR Badge, metal, qualification, flying, Army pilot, Aust Army Aviation Corps Insignia, metal, Aust Army Aviation Corps Button, insignia, Aust Army Aviation Corps Badge, metal, qualification , bandsman Badge, metal, qualification, Drum Major Button, insignia, Aust Army Band Corps Insignia, metal, Aust Army Band Corps, cap/hat collar Rubber stamp of Engineering Design Establishment giving conditions of issue to contractorsspecifications -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW2, FRAMED, C. 1941
... in Sarafand, Middle East, 5.1941. All members in summer dress, head..., 5.1941. All members in summer dress, head gear, shirts ...Photo, black / white of 2/1 Corps FD SUY COY RAE. Taken in Sarafand, Middle East, 5.1941. All members in summer dress, head gear, shirts with rolled up sleeves & shorts. Mounted with green border with tan wooden frame, glass front, white cardboard backing & silver wire hanging strap at rear.photograph, 2/1st, middle east, rae -
Stawell Historical Society Inc
Photograph, Giles Family Late 1890's -- Studio Portrait
... suit. Anne (mother) hat on head holding card, dress puffed... suit. Anne (mother) hat on head holding card, dress puffed ...Joshua born 1848 dressed in suit with right hand in coat. Agnes or Emily with short curly hair and Leg of Mutton sleeves dress. Arthur wearing three piece suit with Fob watch on chain. Front row Walter sitting down arms folded wearing three piece suit. Anne (mother) hat on head holding card, dress puffed sleeves with tie around waist. Agnes or Emily hair is pulled back, frilled collar and puffed sleeves with embroidered bodice. Both Giles women married Heal Brothers.Writing on back of photo -
Bendigo Military Museum
Photograph - PORTRAITS, Paramount Photo. J. Solomon, Jerusalem, Photos of Jack Parsons in the Middle East
... head-dress. Tents in background. 5. Seated portrait of Jack... portrait. Jack Parsons in uniform with an Arabic style head-dress ...Photos/postcards are addressed with much affection to "Thel". 1. B & W portrait of soldier with peaked cap. Aust Rising Sun is on the cap and he is wearing a great coat. He has a moustache. 2. B & W studio portrait of soldier seated. He has his slouch hat folded down with the chin strap on. He has a triangle colour patch on right shoulder, He is wearing leather leggings. 3. B & W portrait of Jack Parsons in a type of Arabic costume. Tents in background. On rear it states "Middle East - Jack Parsons 1940." The moustache has gone. 4. B & W full length portrait. Jack Parsons in uniform with an Arabic style head-dress. Tents in background. 5. Seated portrait of Jack Parsons in uniform. He has a peaked cap, jersey and an MP armband. 6. B & W photo of soldier standing beside a vehicle which has the bonnet up. On the rear is written 25/11/40 to Thel from Jack. Palestine. 7. B & W portrait of soldier standing at ease. He has a peaked cap. Uniform shorts, long socks & shoes. He is wearing a pistol holster on his left hip. On the the back is written "Jack Parsons, Middle East 1940," 8. B & W photo of Jack Parsons in civilian attire, dark shirt & tie. A jacket with light trim. Light coloured trousers. No moustache. On the rear is written "Jack Parsons, Bankstown". 2. The green ink has run. From " Alexandria - Egypt."photos, ww2 -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1934 (?)
... white dresses and head bands. To the far left is a young boy... dresses and head bands. To the far left is a young boy dressed ...This is a photo of participants in the "Queen Competition", which was held in the Halls Gap Hall. The Queen of Grampians House was Amy Johnson. See Record 4 for information about the Queen Competition.The photo shows a young girl dressed in a long white dress, with a large train, sitting on a throne. The has a small crown. On her left and right stand two young girls, also wearing long white dresses and head bands. To the far left is a young boy dressed as a page, holding a shield which reads :"Queen of Grampians House".recreation -
Federation University Historical Collection
Photograph - Black and White, Frank Wright (right) on a camel in front of a Pyramid, 1940, May 1940
... a geometrical design dress and head scarf and the man on the right... a geometrical design dress and head scarf and the man on the right ...Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Two identical black and white photographs of two men and one woman sitting on camels with two keepers standing in front holding their ropes. The man on the left is wearing a fez and white double breasted jacket, the woman in the middle is wearing a geometrical design dress and head scarf and the man on the right wearing a hat, shirt and tie is Frank Wright. They are posed in front of an Egyptian pyramid.frank wright, egypt, pyramid, camel, fez -
Stawell Historical Society Inc
Photograph, Mrs Eliza Chamings nee Harris, William Harris, Ursula Chamings & Granny Harris -- Studio Portrait
... ribbon tied to head black long sleeved dress sittin gin straight...? dress, mother black ornate bonnet with black ribbon tied to head ...Eliza Chamings nee Harris. William Harris. Ursula Chamings. Granny Harris.B/W photo Studio seated adults with standing child. adult daughter sitting in straight backed chair wearing light suit with braid on hem, long sleeved white blouse, father sittinginrolled armseatreceeding hair line and beard in grey three piece suit with fob watch, grand daughter Hair in ringlets bow in hair,lace collar briad yoke velvet? dress, mother black ornate bonnet with black ribbon tied to head black long sleeved dress sittin gin straight backed chair,Eliza Chamings nee Harris, William Harris, Ursula Chamings, Granny Harris. Reverse stamp W.J. Chapman Photo Stawellstawell